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Performance Fingerprints, a beginning
Performance Fingerprints marks the beginning of an ongoing collaborative project developed with violinist and performer Ioana Petcu-Colan. The project explores drawing as a responsive system shaped by live sound and performance, investigating how acoustic and performative gestures can be translated into visual form through computational processes. At the centre of the work is a custom-built Read more
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Exhibition: Ciao Venezia
After showing work at the Venice Biennale from April to November this year, the Proseed Collective has come home to Cumbria for a final outing of our works. My piece is a response to tracking technology, Facial x9, in paint, ink, and gold leaf on wood, partly robot-drawn. Here it is in situ at Palazzo Read more
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Exhibition: Scotland Road to Venice
I showed a single piece of work in a group show with the Proseed Collective at 24 Art Gallery, Edinburgh, between Jun 1st and 14th, 2024. The group was made of artists who have work at Palazzo Bembo for the Venice Biennale 2024, and we come together again in Leith, Edinburgh for this show. Although Read more
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Venice Biennale 2024
Work by Proseed Collective in Palazzo Bembo for Venice Biennale 2024 What do you say when you’re invited to make work for the Venice Biennale? Of course, the only response is “yes please”! That’s what happened at the tail end of 2023, when artist and curator Daniel Ibbotson asked me for two pieces so that Read more
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The Shonai Collective: Epiphany
Through the end of 2023 I spent time working with The Shonai Collective as they prepared for the release of their new album, Epiphany, which is now available from the usual streaming services and for purchase from the publisher. The album cover art for Epiphany was selected from a multitude of digital pieces that I Read more
